• About
    • About HFA
    • HFA Awards
    • Associated Equipment
    • Banners on HFA
    • HFA Analytics Data
    • HFA Audio Setup History
    • HFA Audio Setup Snapshots
    • Sitemap
    • Contact
  • HFA Awards
  • Reviews
    • All Reviews
    • Amplifier
      • All Amplifier Reviews
      • Integrated Amplifier
      • Preamplifier
      • Power Amplifier
      • Phono Preamp
    • Loudspeaker
      • All Loudspeaker Reviews
      • Passive Speaker
      • Active Analog Speaker
      • Active Digital Speaker
    • Digital
      • All Digital Reviews
      • CD Player
      • SPDIF DAC
      • USB DAC
      • Music Server
      • Network Player
      • Digital Recorder
      • Digital Interface
      • Audio Software
    • Turntable and Accessories
      • All Turntable and Accessories Reviews
      • Turntable
      • Tonearm
      • Phono Cartridge
      • Turntable Accessories
    • Cable
      • All Cable Reviews
      • Analog Interlink
      • Phono Interlink
      • Speaker Cable
      • Power Cable
      • Digital Cable
    • Accessories
      • All Accessories Reviews
      • Racks / Stands / Feet
      • Tuning / Tweaks
      • Power Connector
    • Industry Update
  • Insights
    • All Insights
    • Analog Insights
    • Cable Insights
    • Connector Insights
    • Digital Insights
    • Extensionblocks / Filters Insights
    • Generic Insights
    • System Synergy Q&A
  • Specials
  • Show Reports
    • All Show Reports
    • Alkmaar Audio Show
    • Chattelin Audio Systems
    • Dutch Audio Event
    • Enosound
    • HifiDeluxe
    • HifiLive
    • Munich High End
    • XFi
  • Classics
    • All Classics
    • Analog Classics
    • Digital Classics
  • Links
  • About
    • About HFA
    • HFA Awards
    • Associated Equipment
    • Banners on HFA
    • HFA Analytics Data
    • HFA Audio Setup History
    • HFA Audio Setup Snapshots
    • Sitemap
    • Contact
  • HFA Awards
  • Reviews
    • All Reviews
    • Amplifier
      • All Amplifier Reviews
      • Integrated Amplifier
      • Preamplifier
      • Power Amplifier
      • Phono Preamp
    • Loudspeaker
      • All Loudspeaker Reviews
      • Passive Speaker
      • Active Analog Speaker
      • Active Digital Speaker
    • Digital
      • All Digital Reviews
      • CD Player
      • SPDIF DAC
      • USB DAC
      • Music Server
      • Network Player
      • Digital Recorder
      • Digital Interface
      • Audio Software
    • Turntable and Accessories
      • All Turntable and Accessories Reviews
      • Turntable
      • Tonearm
      • Phono Cartridge
      • Turntable Accessories
    • Cable
      • All Cable Reviews
      • Analog Interlink
      • Phono Interlink
      • Speaker Cable
      • Power Cable
      • Digital Cable
    • Accessories
      • All Accessories Reviews
      • Racks / Stands / Feet
      • Tuning / Tweaks
      • Power Connector
    • Industry Update
  • Insights
    • All Insights
    • Analog Insights
    • Cable Insights
    • Connector Insights
    • Digital Insights
    • Extensionblocks / Filters Insights
    • Generic Insights
    • System Synergy Q&A
  • Specials
  • Show Reports
    • All Show Reports
    • Alkmaar Audio Show
    • Chattelin Audio Systems
    • Dutch Audio Event
    • Enosound
    • HifiDeluxe
    • HifiLive
    • Munich High End
    • XFi
  • Classics
    • All Classics
    • Analog Classics
    • Digital Classics
  • Links
scroll down for more
Racks / Stands / Feet Reviews

Finite Elemente Ceraball and Cerapuc

Christiaan Punter 6 October 2009 2 Comments
  • Facebook
  • Twitter
  • LinkedIn
  • Pinterest
  • Email

Ceraball Spider – Ceraball Universal – Cerapuc

I like Finite Elemente a lot. They make smart products that look nice and perform very well. They are usually also not priced stratospherically. This certainly holds true for their Cera- range of feet. Tested here are 3 different feet that have a strong family resemblance but subtly differ in sound.

Cerapuc

Finite_Elemente_550pix cerapuc IMG_0687

Above: Upside down (the inner disc is fixed to the outer ring via a rubber band and of course the Ceramic ball inside)

Finite_Elemente_550pix synbergy op cerapuc IMG_0753

Above: This is how they should be used – the fat side under

Cerapucs are essentially larger versions of the Ceraball. They too have a ceramic ball and a (larger) rubber damping ring. But they can take a heavier load, are heavier themselves and look better. Instead of the lighter aluminum, they are now made from highly polished metal. They sound notably different too.

Ceraball Universal

Finite_Elemente_550pix ceraball uni IMG_5430

Above: Universal Ceraballs can be used in both orientations

Finite_Elemente_550pix ceraball uni IMG_5426

Above: As you can see they are very similar to the original Ceraballs – except for a larger cap and a broader bass in which the ball sits.

Finite_Elemente_Ceraball_Uni_550pix IMG_0648

Above: How they were used for this test. But they can also be used the other way around.

The Universal Ceraball is an evolution from the original Ceraball. It features a larger inner base and larger cap. The Ceramic ball bearing is unchanged. I have the feeling that this was merely a cosmetic move but nevertheless it does make a small difference in sound.

Ceraball for Spider Rack

Finite_Elemente_550pix ceraballs spider IMG_0775

Finite_Elemente_550pix ceraball uni met spider versie IMG_5435

Above: Left is the Universal Ceraball, right the Spider Ceraball

Finite_Elemente_550pix wadia 25 ml320s sony xa50 en bryston 7bsts_0730 JW IXUS 500 cam 1600pix

These are the original Ceraballs. They came in 2 flavors: for Spider or for universal use, the only difference being that the Spider version had a the bottom for secure mounting on a Spider rack. The Universal has now been replaced by a more expensive, bolder looking type.

Finite_Elemente_550pix ceraballs op ROS IMG_6160

Above: Spider Ceraballs are obviously meant for use with Spider but they also fit on Solid Tech’s Rack of Silence, although they are slightly oversized. But it works well sonically. You could even use Spider Ceraballs on flat surfaces but in that application they are more wobbly and really Universal Ceraballs would be the better choice for stability.

Sound Differences

Cerapuc versus Ceraball Universal

Compared to universal ceraballs, the cerapucs lend more weight to the midbass and lower mids but are less well-articulated. Ceraballs are very nuanced and articulate but thinner in body and perhaps more analytical than the cerapucs. Overall I would say the pucs are more full and relaxed and the ceraballs are more articulate and analytical. I can’t really say which is better. It’s just a matter of taste or preference. In my current system with Magnepan MG3.6 magnetostatics, I preferred the rounder and fuller Cerapuc.

Ceraball Spider versus Ceraball Universal

Both versions are based upon the same principle and are built largely the same, the only difference being that the Universal Ceraball has a larger base and cap than the Spider version. There were two incarnations of the universal Ceraball. The original looked just like the Spider version but without the small gap in the bottom for mounting safely on Spider. This one isn’t available anymore for universal use and has been replaced by the new Universal Ceraball which is under review here.

The Ceraball  has a clear influence on the sound. It turns out that the more slender Spider Ceraball also sounds more slender. It is even faster and clearer sounding than the Universal Ceraball but also so clean that one could prefer the Universal Ceraballs for their fuller and rounder sound. The Spider Ceraball easily has the quickest bass and fastest attacks but it is also the most analytical version of all Ceraballs available.

Conclusion

All Ceraballs are not created equally, nor do they sound equal. I must say that I wouldn’t have thought that there would be as much difference as I heard when comparing these. I did expect a difference between the Pucs and the Balls, but certainly not such a big difference between the Universal and Spider Ceraballs.

The bigger the better? Well, the bigger Pucs do sound fuller and weightier but whether that’s better depends on the application. What’s clear however is that all Ceraballs share a common trait in providing a more articulate sound, without adding a lean, clinical quality as can happen with cones or spikes.

Associated Equipment

Related Posts
Artesania Carbon Fiber and Panzerholz Decoupling Discs
Stack Audio AUVA Speaker Isolators
AG Lifter Apollo Modular Rack
Harmonic Resolution Systems (HRS) EXR Audio Stand
AG Lifter Crescendo Power Amplifier Stand
Artesania KSH2 Krion shelf
Artesania Aire Floor Platform – Update August 2022
Artesania Organic Line Modular Floor Platform
Finite Elemente
  • Share This:
  • Facebook
  • Twitter
  • LinkedIn
  • Pinterest
  • Email
Christiaan Punter Owner of Hifi-Advice.com

2 Comments

  1. John van Polen says:
    24 December 2022 at 16:53

    I experienced that the weight of the component plays a crucial role. Under, say, a lightweight DAC of phono preamp, the original Ceraballs may work wonders. Under heavier equipment, say around 10 kg, the Ceraball Universal may sound dynamic and refined, not too thin or analytical, and so on.

    Reply
    1. Christiaan Punter says:
      24 December 2022 at 17:17

      Absolutely fair point, John!

      Reply

Your comment Cancel reply

All feedback is welcome but I may not be able to respond to every comment. First-time comments need manual approval which may cause a slight delay. Avoid using links to prevent marking as spam.

 

Categories

  • Accessories Reviews
  • Active Analog Speakers Reviews
  • Active Digital Speakers Reviews
  • Alkmaar Audio Show
  • Amplifier Reviews
  • Analog Classics
  • Analog Insights
  • Analog Interlink Reviews
  • Analogy Records
  • Apogee Acoustics Company Special
  • Audio Software Reviews
  • Audiophile Insights
  • Cables Insights
  • CD Player Reviews
  • Chattelin Audio Systems
  • Connectors Insights
  • Digital Cable Reviews
  • Digital Classics
  • Digital Insights
  • Digital Interface Reviews
  • Digital Recorder Reviews
  • Digital Reviews
  • Dutch Audio Event
  • Enosound
  • Extensionblocks / Filters Insights
  • Generic Insights
  • HFA Audio Setup History
  • HFA Audio Setup Snapshots
  • HifiDeluxe
  • HifiLive
  • Industry Update
  • Integrated Amplifier Reviews
  • Marantz & Philips Classics
  • Munich High End
  • Music Server Reviews
  • Network Player Reviews
  • Passive Speakers Reviews
  • Phono Cartridge Reviews
  • Phono Interlink Reviews
  • Phono Preamp Reviews
  • Power Amplifier Reviews
  • Power Cable Reviews
  • Power Conditioning
  • Power Connector Reviews
  • Preamplifier Reviews
  • Racks / Stands / Feet Reviews
  • Rhapsody
  • Show Reports
  • SPDIF DAC Reviews
  • Speaker Cable Reviews
  • Specials
  • System Synergy Q&A
  • Tonearm Reviews
  • Tuning / Tweaks Reviews
  • Turntable Accessories Reviews
  • Turntable and Accessories Reviews
  • Turntable Reviews
  • Uncategorized
  • USB DAC Reviews
  • XFi

BRANDS

  • A&B Systems
  • A10 Audio
  • Aavik
  • Acapella
  • Accuphase
  • AcousticMatters
  • Acustica Applicata
  • Admire Audio
  • Aequo Audio
  • AG Lifter
  • Aidas
  • Akiko Audio
  • Analog Domain
  • Analogy Records
  • Analysis Audio
  • Analysis Plus
  • Ansuz
  • Anthem
  • Anti-Cables
  • Antipodes
  • APL
  • Apogee
  • Apogee Acoustics
  • Aqua
  • Arcam
  • Aries Cerat
  • Artesania
  • ASI
  • Astin Trew
  • atm audio
  • A Tube High Fidelity
  • Audeze
  • AudioAanZee
  • Audio Aero
  • Audio Club Premier
  • Audio GD
  • Audiolab
  • Audiolympic
  • Audiomeca
  • Audio Note
  • Audionote
  • Audio Origami
  • Audio Physic
  • AudioQuest
  • Audio Research
  • Audio Synthesis
  • Audio Technica
  • Auralic
  • Aurender
  • Aurum Cantus
  • Avalon
  • AvantGarde
  • AVID
  • AVIDHIFI
  • Ayon
  • Ayre Acoustics
  • B&W
  • Bals
  • Bang & Olufsen
  • Behringer
  • Belden
  • Benz
  • Bergmann
  • Black Rhodium
  • Boenicke Audio
  • Bowers & Wilkins
  • Bricasti
  • Bryston
  • Burmester
  • Børresen
  • CAD
  • Cardas
  • Care Orchestra
  • CAT
  • CEC
  • Chord Electronics
  • CH Precision
  • Clarisys Audio
  • Classé
  • Clearaudio
  • Concert Fidelity
  • Conrad Johnson
  • Consonance
  • COS
  • Curious Cables
  • D'Agostino
  • DAD
  • Dali
  • Daniël Hertz
  • Daudio
  • dCS
  • Degritter
  • Denafrips
  • Denon
  • Devialet
  • Devore
  • Diptyque
  • Doepke
  • Driade
  • DS Audio
  • Dynavector
  • Dynavox
  • E&T
  • EC-Designs
  • Echole
  • Elac
  • Electrocompaniet
  • Elijah Audio
  • EMAG
  • EMMLabs
  • Emotiva
  • EMU
  • Enosound
  • Ensemble
  • Esoteric
  • Estelon
  • Euphony
  • Exogal
  • Fadel Art
  • Fezz Audio
  • FIM Gold
  • Final
  • Final Touch Audio
  • Finite Elemente
  • FoilFlex
  • Franco Serblin
  • Furutech
  • Fusion Audio
  • Gauder Akustik
  • Genelec
  • Gigawatt
  • GiK
  • Goldmund
  • Graham Audio
  • Grandinote
  • Grimm Audio
  • Gryphon
  • Gustavson Audio
  • Halcro
  • Hanze Hifi
  • Harman/Kardon
  • Harmonic Resolution Systems
  • Harmonic Technology
  • Harmonix
  • Heaven's Gate
  • Hifi-Tuning
  • HiFi.nl
  • HifiMan
  • High Fidelity Cables
  • Hofa
  • Holo Audio
  • Home Audio Fidelity
  • HRS
  • IeGO
  • Ikigai
  • IMF
  • Isotek
  • Jadis
  • Jay's Audio
  • JCAT
  • Jeff Rowland
  • Jena Labs
  • JMF Audio
  • Jorma Audio
  • Jorma Design
  • Joseph Audio
  • JPLAY
  • JVC
  • Kemp
  • Kharma
  • Kimber
  • KingRex
  • Kinki Studio
  • KlinktBeter
  • Kora
  • Krell
  • Kroma Audio
  • Kupp
  • Laiv Audio
  • Lampizator
  • Lapp
  • LAST
  • Lector
  • Leema
  • Lejonklou
  • LessLoss
  • Line Magnetic
  • Linn
  • Logitech
  • LOK
  • Loudness War
  • Lumin
  • Luxman
  • M2Tech
  • Mad Scientist
  • Magico
  • Magnan
  • Magnepan
  • Mamba Audio
  • Manley Labs
  • Manunta
  • Marantz
  • Mark Levinson
  • Marten
  • Martin Logan
  • Master
  • Matrix
  • MBL
  • McIntosh
  • Melco
  • Melody
  • Meridian
  • Metrum Acoustics
  • Michell
  • MIT
  • MJ Acoustics
  • Modus Audio
  • Mogami
  • Mola-Mola
  • Monitor Audio
  • Monrio
  • Moon
  • Morel Hifi
  • Musical Fidelity
  • Mytek
  • Nagaoka
  • Naim
  • Naiu Laboratory
  • Nakamichi
  • NBS
  • Network Acoustics
  • Niels Setup
  • Nordost
  • NuPrime
  • Ohm Audio
  • Olive
  • Onkyo
  • Onzow
  • Origin Live
  • Ortofon
  • Oyaide
  • Panasonic
  • Paradigm
  • Parasound
  • Pass Labs
  • Philips
  • Pink Faun
  • Pioneer
  • Playback Designs
  • Precision Audio
  • PrimaLuna
  • Proceed
  • PS Audio
  • PUUR AVD
  • PUUR hifidelity
  • Pylon Audio
  • Qln
  • Qobuz
  • Quad
  • R.T.F.S.
  • RAAL Requisite
  • Raidho
  • Reference Sounds
  • Reference Tweaks
  • Rega
  • Rein Audio
  • REL
  • Resonator Stockholm
  • Revel
  • Ricable
  • Roon
  • RTFS
  • SAEQ
  • SAT
  • Schiit
  • Seawave Acoustic
  • Sennheiser
  • Shakti
  • Shuguang
  • Shunyata
  • Shure
  • Signal Projects
  • Silent Angel
  • Siltech
  • SME
  • SolidSteel
  • Solid Tech
  • Sonic Frontiers
  • Sonos
  • Sonus Faber
  • Sony
  • Sooloos
  • SOtM
  • Soulution
  • Sound Anchor
  • Sound Lab
  • Spectral
  • Spotify
  • Stack Audio
  • Stealth
  • Stillpoints
  • Straight Wire
  • SW1X Audio Design
  • Symo
  • Synergistic Research
  • Synology
  • Synthese
  • T+A
  • Taiko Audio
  • Tascam
  • Teac
  • TechDAS
  • Technics
  • The Chord Company
  • Thorens
  • Transparent Audio
  • Trends
  • Tung Sol
  • Unison Research
  • UpTone Audio
  • VAIC
  • van Damme
  • van den Hul
  • van Medevoort
  • Vermeer Audio
  • Vermouth Audio
  • Vibex
  • Vifa
  • Vincent
  • ViRa High End
  • Viva
  • Vivid Audio
  • VTL
  • Wadax
  • Wadia
  • Wattgate
  • Wattson
  • Way Cables
  • Weiss
  • Western Electric
  • WestminsterLab
  • Widealab
  • Wilson Audio
  • Wilson Benesch
  • Winyl
  • Wires 4 Music
  • Wireworld
  • Wolf von Langa
  • Wooden Bull
  • XACT
  • Xavian
  • xFyro
  • Xindak
  • XLO
  • Yamaha
  • Zanden
  • Zesto
  • ZYX

Visit HFA on Social Media

Instagram
Facebook
Twitter
YouTube

LEGAL

Privacy Policy

This site is protected by reCAPTCHA. Google Privacy Policy and Terms of Service apply. All rights reserved © 2021 - hifi-advice.com.
  • Contact
  • Home