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JRDG Company Special – Cadence MC phono stage

1996-2005

Retail price Cadence in 1998 in the Netherlands – 5490 euro

Retail price AC power supply in 1998 in the Netherlands – 1590 euro

rowland-cadence-img_3089_550pix

Pictured on top of a Synergy 2i preamp. According to many people, myself included, this is one of the world’s best phono preamps. Sadly no longer made and rarely found on the second-hand market, this phono preamp also needs either a synergy or coherence to supply power or make use of the even more rare separate Cadence AC power supply.

Extensive Review

Rowland_Cadence+PS_550pix IMG_3091

rowland-bps1-on-cadence-cp-img_3092_550pix

Above: the Cadence together with the optionally available power supply. This supply looks precisely like the Synergy power supply, minus the display and related electronics. Inside it is almost identical.

Adding the optional power supply to a Cadence and Synergy preamp

This is something that is not absolutely necessary since the Synergy power supply has two power outlets to feed not only the Synergy preamp itself but also the Cadence. But the opportunity was there and I had a listen. It turned out that the addition of the extra power supply, feeding the Cadence, leaving the Synergy power supply to feed only the Synergy preamp, made for a big increase in sound quality. Even though the supply is similar to the one inside the Synergy power supply, soundwise it does make a large difference, making the sound more open, fuller and more colorful, but whether this is only due to the power supply itself or has to do with the DC cables, placement and power cables and where they plug into the extension block is the question.


Inside the Cadence

rowland cadence inside_550pix IMG_2192

Above: one of the latest Cadence units inside.

Even though there was officially only one version, there is a difference throughout the serial numbers, not only in ingredients but also in sound. We have compared two Cadences, one fairly old and one off the last batch ever produced. The older one turned out to sound faster, more agile and more expressive, the latest model was warmer, fuller, wider in soundstage and more fluid. This sounds a lot like the differences between the Synergy 1 and 2i.

rowland-cadence-jw-img_3104_550pix

Above: This is the only occasion that I saw gold-plated Burr Brown opamps inside high-end audio equipment! These are the pick of the crop.


Older Cadence and newer Cadence comparison – Amp board

Here are 2 comparison pictures from the newer Cadence (top) and the older Cadence (bottom). Notice all the differences?

rowland-cadence-jeroen-img_3100_550pix

For starters, the white capacitors are different in size, although they have the same values. Furthermore, the little opamps next to the flatcable are on riser sockets (for easy replacement) in the new one and directly soldered in the older one.

rowland-cadence-jw-img_3105_550pix

Here are two more comparison pictures from the newer Cadence with serial P0348 which is one of the last produced (top) and the older Cadence with serial P0255 (bottom).

In the newer version, the input transformers are glued directly to the rear panel, in the older version they are squeezed in a tighter hole with a rubbery material in-between.

The audible results seem to contradict expectations. While you would assume rubber to sound rubbery and IC-risers to sound more metallic, the net effect is precisely the opposite! Welcome to the interesting world of JRDG!

rowland-cadence-jeroen-img_3101_550pix

rowland-cadence-jw-img_3107_550pix

Cadence Features

Balanced XLR inputs and outputs

XLR to RCA adapters included for unbalanced (RCA type) phono interconnect cables.

Ideal matching to all moving coil phono cartridges with four (4) position gain and load switching capability. (low gain high load, high gain high load, low gain low load, and high gain low load)

High mass, non-resonant chassis, precision machined from 6061 aluminum plate, provides maximum isolation from distortion causing microphonics (vibration) in extremely low-level circuitry.

Operates in conjunction with the Synergy or Coherence Preamplifiers or with the optional Cadence AC Power Supply or BPS-1 Battery Power Supply.

Cadence Specifications

Overall Gain (@ 1 kHz)
Lo-Gain 64dB
Hi-Gain74dB

RIAA Accuracy ±.03 dB
20 Hz to 20 kHz

Frequency Response
– 3 dB @ 0.5 Hz and 180 kHz

Common Mode Rejection Ratio
130 dB (@ 60 Hz)

Total Harmonic Distortion (THD)
< .015, 20 Hz to 20 kHz, 5 V output level

Output Noise (IEC A-Weighted)
Lo-Gain< 59 Microvolts
Hi-Gain < 60 Microvolts

Cartridge Loading Equivalent Resistance
Lo-Gain, Lo-Impedance 250 ohms
Lo-Gain, Hi-Impedance 400 ohms
Hi-Gain, Lo-Impedance 30 ohms
Hi-Gain, Hi-Impedance50 ohms

Power Requirements
±12-14 Volts DC, 40 Milliamps

Input/Output Connections
Balanced 1 per channel (XLR)
Unbalanced 1 Pair XLR to RCA adapters included

Dimensions
17.5 in (W) x 5.1 in (D) x 3.15 in (H) 44.5 cm (W) x 13.0 cm (D) x 8.0 cm (H)

Weight
27 lbs (12 kg)

More Jeff Rowland

Jeff Rowland Company Special Main Page
Jeff Rowland Company Special Phono Stages
Cadence Extensive Review

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