{"id":38612,"date":"2024-08-18T12:07:14","date_gmt":"2024-08-18T10:07:14","guid":{"rendered":"https:\/\/www.hifi-advice.com\/blog\/?p=38612"},"modified":"2026-03-29T17:14:57","modified_gmt":"2026-03-29T15:14:57","slug":"main-system-14-august-2024","status":"publish","type":"post","link":"https:\/\/www.hifi-advice.com\/blog\/hfa-audio-setup-snapshots\/main-system-14-august-2024\/","title":{"rendered":"Main System 14 – August 2024"},"content":{"rendered":"

New Additions<\/h3>\n

M2Tech Nash<\/a>
\nXACT S1<\/a><\/p>\n

Description<\/h3>\n

This is an overview of the Main System and its operational components as of August 2024.<\/p>\n

The core of the main system<\/a> consists of the CH Precision C1.2<\/a> DAC, L1<\/a> preamp, A1.5<\/a> power amp with the Antipodes Oladra<\/a>, XACT S1<\/a>, and Taiko Audio Extreme servers, and the Aqua La Diva M2<\/a> CD Transport, with Magico S1 MkII speakers. All interlinks are Driade Flow Link Reference 808<\/a>, both balanced and unbalanced. The speaker cables are the Jorma Unity<\/a>.<\/p>\n

All CH Precision components are placed on an Artesania Exoteryc<\/a> rack with Carbon Fiber Linear Arms<\/a>. All digital sources are placed on two HRS EXR racks. Review components will be assessed on a vacant spot in one of the HRS EXR racks or on\u00a0an Artesania KSH2 Krion shelf<\/a> coupled via Artesania Carbon Fiber Linear arms<\/a> to an Artesania Aire<\/a> Floor Platform. In essence, the Aire is a lower Exoteryc rack, and it sounds identical.<\/p>\n

The power for this system is delivered by a dedicated run of solid-core installation wire, sourced in the Breaker Box from a Siemens Sitor Cylindric Fuse Cartridge and ending in three GigaWatt G-044 single Schuko Wall Sockets<\/a> behind the audio system. I use three power distributors: one for the main system, one for analog, and one for review components. These distributors started life as Pawalle TP-80, but I used them for the enclosure alone, stripped them of all internals, and replaced everything with selected wiring and components.<\/p>\n

The power cables are a mix of brands and OEM home-made specimens. Most notable are the GigaWatt LC-2 EVO<\/a> for the CH C1.2 DAC and the GigaWatt PowerSync ULTRA<\/a> for the CH L1 preamp. The CH A1.5 power amp is the only component still using a Belden 19364<\/a> power cable. Most other components, including most review components, are powered by one of my two home-made variants, either the Block CUL 500 Enamelled solid core copper in PTFE tubing with OEM Rhodium-plated schuko and Oyaide C-004 IEC or the OEM tinned litze in PTFE dielectric with OEM Rhodium-plated schuko and Oyaide C-004 IEC.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

<\/h3>\n

Main System Components<\/h2>\n

This list contains only the currently operational components in the Main System. For a complete list of all HFA Reference Equipment, cables, and accessories, see Associated Equipment<\/a>.<\/p>\n

Loudspeakers<\/h3>\n

Magico S1 MkII<\/p>\n

Pre Amplifier<\/h3>\n

CH Precision L1<\/a><\/p>\n

Power Amplifier<\/h3>\n

CH Precision A1.5<\/a><\/p>\n

Phono Stage<\/h3>\n

M2Tech Nash<\/a>
\nManunta EVO Phono 3<\/a><\/p>\n

Turntable<\/h3>\n

Thorens TD1601<\/a><\/p>\n

Cartridges\/Stylii<\/h3>\n

Thorens TAS1600<\/a>
\nThorens TAS1500<\/a><\/p>\n

DAC<\/h3>\n

CH Precision C1.2<\/a>
\nAqua Formula xHD<\/a><\/p>\n

Music Server<\/h3>\n

Antipodes Oladra<\/a>
\nXACT S1<\/a>
\nTaiko Audio Extreme<\/p>\n

CD Player \/ Transport<\/h3>\n

Aqua La Diva M2<\/a><\/p>\n

Network Renderer \/ Streaming Endpoint<\/h3>\n

Aqua LinQ Network Interface<\/a>
\nCH Precision C1.2<\/a><\/p>\n

Record Cleaning Machine<\/h3>\n

Clearaudio Matrix Silent<\/a>
\nDegritter<\/a><\/p>\n

Interlinks<\/h3>\n

Driade Flow Link Reference 808 RCA and XLR<\/a><\/p>\n

Loudspeaker Cables<\/h3>\n

Jorma Design Unity<\/a><\/p>\n

Digital Cables<\/h3>\n

Jorma BNC
\n<\/em>Mogami 3080 Neglex<\/a>
\nSilent Angel Bastei coax<\/p>\n

USB Cables<\/h3>\n

Vermouth Reference<\/a>
\nXACT Phantom<\/a><\/p>\n

Ethernet Cables<\/h3>\n

ValueLine OEM CAT6 cables<\/p>\n

Network Switch<\/h3>\n

Silent Angel Bonn NX <\/a>+ Genesis GX Clock<\/a><\/p>\n

Audio Group Power Installation<\/h3>\n

Siemens Sitor Cylindric Fuse Cartridge (standard silver-plated fuse and solid silver rod)
\nGigaWatt G-044 Schuko Wall Socket<\/a> (three in use)
\nStandard unshielded 2,5mm solid core copper installation wire<\/p>\n

Power Distributors<\/h3>\n

3x Pawalle TP-80 (very heavily modded, not recommended in standard form)<\/p>\n

Power Cables<\/h3>\n

GigaWatt LC-2 EVO (with CH C1.2 DAC)<\/a>
\nGigaWatt PowerSync ULTRA (with CH L1 preamp)<\/a>
\nBelden 19364 with Bals schuko and Oyaide C004 IEC connectors (with A1.5 power amp)<\/a>
\nThe other components use one of the two following home-made cables:
\nBlock CUL 500 Enamelled solid core copper in PTFE tubing w. OEM Rhodium schuko and Oyaide 004
\nOEM tinned litze in PTFE dielectric with OEM Rhodium-plated schuko and Oyaide 004<\/p>\n

Equipment Support<\/h3>\n

Ansuz Darkz T2<\/a>
\nAnsuz Darkz S2T<\/a>
\nArtesania Exoteryc Audiorack<\/a>
\nArtesania Carbon Fiber Linear Arm Upgrade<\/a>
\nArtesania Aire Floor Platform<\/a>
\nArtesania KSH2 Krion shelves<\/a>
\nFinite Elemente Cerapuc<\/a>
\nHRS EXR Audio Stand<\/a>
\nStillpoints Ultra SS V2<\/p>\n

Room Treatment<\/h3>\n

R.T.F.S. SiRRAH<\/a>
\nR.T.F.S. Big Block<\/a>
\nR.T.F.S. Ceiling Vane<\/a>
\nSMT Diffusers
\nVicoustic VicTotem<\/p>\n

Steel<\/span>-reinforced\u00a0<\/span>hardwood stiffening bars were glued onto the windows using Bison Polymax kit to effectively reduce the glass panels\u2019 40Hz resonance, which weaken<\/span><\/span><\/span>ed<\/span>\u00a0much of the right speaker\u2019s low output and\u00a0<\/span>caus<\/span><\/span><\/span>ed<\/span>\u00a0very annoying phase\u00a0<\/span>issues effects at higher bass frequencies.<\/span><\/span><\/span><\/p>\n

See Also<\/h2>\n

Associated Equipment<\/a>
\nAll current HFA Reference Equipment, cables, and accessories.<\/p>\n

HFA Audio Setup Snapshots<\/a>
\nAll Snapshot summaries of operational components in HFA Systems for a specific timeframe<\/p>\n

HFA Audio Setup History<\/a>
\nIn-depth overview of how the HFA systems have developed over the years<\/p>\n

HFA Awards page<\/a>
\nRanking Order of all reviewed components and their appointed Awards<\/p>\n

\r\n
Related Posts<\/div>\r\n
\r\n\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Main System 19 – February 2026 <\/a>\r\n\r\n <\/div>\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Main System 18 – Sept 2025 <\/a>\r\n\r\n <\/div>\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Media Room v5 – Part 3 – Aug 2025 <\/a>\r\n\r\n <\/div>\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Main System 17 – June 2025 <\/a>\r\n\r\n <\/div>\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Main System 16 – February 2025 <\/a>\r\n\r\n <\/div>\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Main System 15 – November 2024 <\/a>\r\n\r\n <\/div>\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Main System 14 – August 2024 <\/a>\r\n\r\n <\/div>\r\n
\r\n
\r\n \r\n\r\n \"\"\r\n\r\n <\/a>\r\n <\/div>\r\n\r\n \r\n Media Room v5 – Part 2 – July 2024 <\/a>\r\n\r\n <\/div>\r\n \r\n <\/div>\r\n\r\n