{"id":32922,"date":"2022-10-25T13:52:43","date_gmt":"2022-10-25T11:52:43","guid":{"rendered":"https:\/\/www.hifi-advice.com\/blog\/?p=32922"},"modified":"2024-02-01T16:09:32","modified_gmt":"2024-02-01T14:09:32","slug":"gigawatt-powersync-powersync-plus-powersync-ultra-and-lc-2-evo-power-cables","status":"publish","type":"post","link":"https:\/\/www.hifi-advice.com\/blog\/review\/cables-reviews\/power-cable-reviews\/gigawatt-powersync-powersync-plus-powersync-ultra-and-lc-2-evo-power-cables\/","title":{"rendered":"GigaWatt PowerSync, PowerSync PLUS, PowerSync ULTRA, and LC-2 EVO power cables"},"content":{"rendered":"

Review samples supplied by Ohm Audio
\n<\/a><\/h4>\n

Retail prices in the Netherlands, including 21% VAT:
\nPowerSync – \u20ac240 for 1,5m
\nPowerSync PLUS – \u20ac360 for 1,5m
\nPowerSync ULTRA – \u20ac1.125 for 1,5m
\nLC-2 EVO – \u20ac550 for 1,5m
\nExtra length available per 50cm
\nPowerSync custom lengths “off the reel” – \u20ac45 per meter<\/h4>\n

For this review, I am covering four GigaWatt power cables: three models from the new PowerSync range and one from the longer-standing LC range.<\/p>\n

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Detailed technical specs can be found below, but in a nutshell, the cables of the new PowerSync range all utilize thick litze wire conductors whereas the LC-2 EVO cable utilizes solid core conductors. In that light, the LC-2 EVO may seem out of place in this context but I wanted to include it in this group test, precisely because it is so different in construction, and I am curious to find out just how it compares.<\/p>\n

\"\"<\/p>\n

Left: PowerSync PLUS (thicker cable; Right: PowerSync (thinner cable)<\/em><\/p>\n

PowerSync<\/h3>\n

The PowerSync is the entry model of a new range of GigaWatt power cables that was started by the PowerSync ULTRA, which was previously known as LC-3 EVO.<\/p>\n

The PowerSync cable has a diameter of 11 mm. Its conductors are made from 5N purity OFHC C10100 copper that was annealed to get a homogeneous structure and better conductivity. The cable consists of three wires with a 14 AWG (2 mm2) cross-section, insulated with PE dielectric. A single wire contains 10 strands with a diameter of 0.514mm. The conductors as well as an additional drain wire are protected with a static shield made of plastic laminated aluminum foil.<\/p>\n

The tight construction of the screen, covering 100% of the cable surface, protects against unwanted external EMI and RFI noise and prevents the formation and propagation of internal interference. The conductors are covered by outer insulation of GA 70AT03 material, further surrounded by a nylon mesh braid. All conductors are connected to the plug terminals mechanically, without soldering. As standard, the cable is equipped with high-quality proprietary power connectors GigaWatt G-010 and G-030 with Nickel plating but it is optionally also available with a choice of IEC C19, NEMA 5-20R, or AS\/NZS 3112.<\/p>\n

This cable can also be purchased “off the reel” for 45 euros per meter, to make your own cables.<\/p>\n

\"\"<\/p>\n

PowerSync PLUS<\/h3>\n

The PowerSync PLUS is the next level up in the PowerSync cable family.<\/p>\n

The PowerSync PLUS cable has a diameter of 15mm. Its conductors are made from 5N purity OFHC C10100 copper that was annealed to get a homogeneous structure and better conductivity. The cable consists of three wires with a cross-section of 2.5 mm2, insulated with PE dielectric. Each lead contains 12 strands with a diameter of 0.514mm. The conductors are protected with a static shield made of plastic laminated aluminum foil.<\/p>\n

\"\"<\/p>\n

The tight construction of the screen, covering 100% of the cable surface, protects against unwanted external EMI and RFI noise and prevents the formation and propagation of internal interference. The conductors as well as an additional drain wire are protected with a static shield made of plastic laminated aluminum foil.<\/p>\n

The whole is protected by a three-layer outer jacket, which consists of a combination of two layers of nylon mesh and a layer of dense glass fiber braid. All conductors are connected to the plug terminals mechanically, without soldering. As standard, the cable is equipped with high-quality proprietary power connectors GigaWatt G-010 and G-030 with Nickel plating but it is optionally also available with a choice of IEC C19, NEMA 5-20R, or AS\/NZS 3112.<\/p>\n

\"\"<\/p>\n

PowerSync ULTRA<\/h3>\n

According to GigaWatt, the PowerSync ULTRA is the best copper power cable they have ever produced. Previously labeled LC-3 EVO, the PowerSync ULTRA is technically close to the brand’s top LS series.<\/p>\n

The PowerSync cable has a diameter of 17 mm. Its conductors are made from 99,997% pure copper (OFHC C10100, 5N), additionally subdued to an annealing process, which allows them to gain a uniform structure and better conductance. The design is an 8 x 1.5 mm2 wire, where each lead consist of 7 strands, spun in a tight pitch. Twisted conductors ensure significant cable inductance reduction, maintaining favorably high self-capacitance.<\/p>\n

\"\"<\/p>\n

The wires of the cable are protected by a static shield, made from laminated aluminum foil. The tight construction of the shield covers 100% of the surface of the cable, protecting against all kinds of external interference, and EMI and RFI noises. In addition, the shield prevents the appearance and spread of internal interferences as well as returns parasitic currents to the ground wire. In the construction of the cable, a lot of attention was devoted to the reduction of the vibration created by the electromagnetic field induced around the conductors.<\/p>\n

All wires and the shield are covered with elastic material to dampen unwanted vibration. The cable is additionally protected from the outside with an antistatic braid, which prevents static charge accumulation.<\/p>\n

The PowerSync ULTRA uses the highest quality proprietary power connectors. Their massive construction ensures extraordinary durability and reliability. The casing of the connectors is made of compact aluminum. The conductive materials of the connectors are made from rhodium-plated brass, which guarantees low impedance and a large amount of connecting cycles without degradation. The connectors were additionally subjected to cryogenic treatment and de-magnetization. All conductors are connected with no use of tin, and plug connections are bolted which minimizes plug impedance and guarantees reliability.<\/p>\n

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\"\"<\/p>\n

The PowerSync ULTRA is designed for advanced audio systems and due to its large conductor cross-section, it is particularly recommended for applications related to high power consumption but of course, also works very well with lower-power-consuming components. It is well-suited as the cable to power the power distributor that powers the entire system.<\/p>\n

\"\"<\/p>\n

LC-2 EVO<\/h3>\n

The LC-2 EVO is part of a longer-running, different, series and this cable deviates from the PowerSync models by using solid core conductors rather than thick Litz wire.<\/p>\n

The wires are made up of seven 99,997% pure copper (OFHC C10100) solid-core conductors, each with a 1,5 mm2 cross-section, additionally subdued to an annealing process which allows them to gain uniform structure and better conductance. The wires are arranged in a weave geometry which guarantees a steady, unthrottled current flow and does not allow any interference to appear at the output end. On the other hand, its comparably high intrinsic capacitance, which is caused by the cable geometry and the characteristics of the dielectric, provides filtering and damping capabilities for a wide range of interference.<\/p>\n

The insulation of the conductors is made of flexible material PK90AT28 with a very low dielectric constant. The outer jacket is made of a soft insulating material GA 70AT03, which suppresses undesirable vibrations. Additional protection of the cable is a light grey, wear-resistant plastic braid.<\/p>\n

The wires of the cable are protected by a static shield, made from laminated aluminum foil with an internal, copper flow wire. The tight construction of the shield covers 100% of the surface of the cable, protecting against all kinds of external interference. In addition, the shield prevents the appearance and spread of internal interferences as well as returns parasitic currents to the ground wire.<\/p>\n

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As standard, the cable is equipped with high-quality proprietary GigaWatt G-010G and G-030G Rhodium-plated pure copper connectors with large connection surfaces, which allow for steady current flow from the power grid. The contacts of both connectors are de-magnetized. All conductors are connected without the use of solder, and the connections to the plugs are bolted, which guarantees high reliability and optimal functionality.<\/p>\n

Available connectors: EU (Schuko), US (Nema 5-20R), AU (AS\/NZS 3112), IEC C15, IEC C19, PowerCon 32A<\/p>\n

Next: System Context and Listening<\/p>\n

<\/p>\n

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System Context<\/h3>\n

The core of the main system<\/a> consists of the CH Precision C1<\/a> DAC, L1<\/a> preamp, A1.5<\/a> power amp with the Grimm MU1<\/a>, Antipodes K50<\/a>, and Taiko Audio Extreme servers as main sources, and Magico S1 MkII speakers. All interlinks are Driade Flow Link Reference 808<\/a>, both balanced and unbalanced. The speaker cables are the Mad Scientist Black Magic<\/a>.<\/p>\n

The core components are placed on Artesania Exoteryc<\/a> racks with Carbon Fiber Linear Arms<\/a>. The MU1, as well as most review components, are placed on an Artesania KSH2 Krion shelf<\/a> that couples via Artesania Carbon Fiber Linear arms<\/a> to an Artesania Aire<\/a> Floor Platform. The Aire is basically a lower Exoteryc rack and it sounds identical.<\/p>\n

The power for this system is delivered by a dedicated run of solid-core installation wire, sourced in the Breaker Box from a Siemens Sitor Cylindric Fuse Cartridge, and ending in three GigaWatt G-044 single Schuko Wall Sockets<\/a> behind the audio system. My normal power distributors have a shielded metal case and provide solid connections but use simple linear brass strip conductors. They are nothing special but they get the job done in a predictable manner. I use three distributors, one for the main system, one for analog, and one for review components.<\/p>\n

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All the GigaWatt review cables were delivered in sets of two, intended for use primarily with the CH Precision C1 DAC and L1 Preamplifier. This way, I can apply two identical cables or mix and match.<\/p>\n

Running In<\/h3>\n

Many cables change with prolonged use. While the effect varies, power cables, too, can evolve over time. Just to be on the safe side I listened to the GigaWatt cables when new, while running in, and after prolonged use, at the time of writing almost 2 months and counting.<\/p>\n

While I did note differences as the cables settled in, they are rather subtle, especially with the PowerSync cables. So subtle, in fact, that I would not worry about it. However, I did note a measure of bedding in with the LC-2 EVO, the cable becoming less dry and slightly more fluid and relaxed over time. It’s probably a good idea to bend these solid core cables into shape and leave them alone.<\/p>\n

\"\"<\/p>\n

Listening – PowerSync<\/h3>\n

Just to provide a baseline, instead of the freebie OEM cable that comes in the box, I normally use Belden 19364 with a Bals Schuko and Oyaide C-004 IEC. The cable itself costs peanuts but the C-004 makes it relatively expensive. To be more precise: the PowerSync cable costs almost the same as the Oyaide C-004 connector alone. But as we will see, using a pricey high-end connector is not necessarily always the answer.<\/p>\n

Starting with the entry-level PowerSync, it strikes me that even this very affordable cable looks well-made, it is very supple and has good weight, and the proprietary connectors look and feel solid. There’s really nothing that says “entry-level” with this cable. Connected to the CH L1 preamp instead of the Belden 19364,\u00a0the PowerSync sounds fuller in the bass, perhaps slightly more full-bodied than I would consider strictly neutral, but the balance is well-chosen. It’s not strictly warm or fat, but very smooth and easy-going.<\/p>\n

The overall presentation is spacious and tonally more saturated than with the Belden. The latter is more expressive but can also be lean-sounding and in certain systems, despite the Oyaide connector, a little hard in the upper midrange. The PowerSync, however, seems to never have heard of edginess or hardness. It has a pleasantly smooth midrange and a well-behaved treble.<\/p>\n

The cable’s transient behavior is on the soft side and this is arguably its most obvious Achilles heel. This makes it comparatively less agile in terms of speed and expression, and slightly less airy on top.<\/p>\n

At the price of only 240 euros, though, the cable performs admirably. Moreover, I suspect that this cable’s properties will actually pair very well with entry-level systems.<\/p>\n

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PowerSync PLUS<\/h3>\n

All factors being equal, a thicker diameter conductor will usually sound fuller but also fatter and often less expressive. Or at least, this has been my experience in many cases. The main exception has been where individual litze wires are coated or individually isolated but I don’t think this is the case with the PowerSync PLUS. So, I’m not sure how GigaWatt manages it, but this time, the thicker cable with more copper sounds fuller indeed, but it does not result in fatness, excess warmth, or a lack of expression. The entry-level PowerSync cable sounds leaner than the PowerSync PLUS but I actually get the impression that the PLUS is slightly more propulsive and dynamic than the basic PowerSYNC while remaining beautifully neutral.<\/p>\n

By comparison, the NBS Dragon Fly III is slightly more airy and refined, and subtly more expressive through the midrange and treble, but not more dynamic or lively overall. In the bass, the NBS is actually a little too relaxed and could be tighter and better controlled. It has a soothing and dreamy sound but the GigaWatt offers more solidity, better focus, more expression, and a much higher level of neutrality. What I think is rather special about the PowerSync PLUS is that it is neutral and beautifully linear, yet not dry or technical and actually very natural.<\/p>\n

The Belden is tighter and more controlled in the bass but in spite of the Oyaide C-004, it is a little rough overall. In addition, whilst it may initially seem quite open, the Belden is actually a little hazy and congested in the upper bass and it lacks the focused conviction that the GigaWatt has.<\/p>\n

Stepping further down just for fun, a Standard OEM cable is the most unassuming of all. When powering the C1 and L1 preamp with such cables, superficially, they seem to fare surprisingly well. They offer good articulation and sound even-handed, with good transparency and refined, airy treble. But in comparison to Belden and even more so compared to the GigaWatt, the sound is also rather lean and dimensionally compacted, and really rather dull. Most of all, the standard cable lacks conviction, timbral expression, body, and drive. So, while I would not go so far as to call standard power cables the epitome of evil in audio, one can easily do better.<\/p>\n

Getting back on track, the PowerSync PLUS is significantly more robust, more articulate, and expressive than the Belden. Whilst fuller and more richly saturated, the cable does not sound warm, thick, or plush. Compared to the OEM cable and the Belden it could be said to sound very slightly dark, but that may also be an illusion. In any case, the treble that it offers is perfectly balanced between refinement and expressive precision. In an absolute sense, I feel that it could be a little bit more articulate, and its transients are not quite as crisp as I would like, but overall, this is a really great cable that I think will work in a large variety of systems. And at 360 euros, I consider it basically a no-brainer.<\/p>\n

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2x PowerSync PLUS<\/h3>\n

Relative to what I consider the CH sound, and certainly compared to the C1 DAC, the CH Precision L1 preamp is slightly lean-sounding. As I found, this makes it a prime candidate for the fuller-sounding PowerSync PLUS cables. Adding a second PowerSync PLUS to the CH C1 DAC produces a very noticeably wider and deeper soundstage and removes the last remaining “lean-ish” Belden sonic signature. The result is a beautifully smooth, deeply saturated, and free-flowing sound that I think will have many people with preconceptions of “overly clean CH Precision sound” scratching their heads.<\/p>\n

\"\"<\/p>\n

Sure, in certain settings, the brand can<\/em> sound analytical but it definitely does not need to. And it certainly does not do so when powered by a pair of PowerSync PLUS cables. Especially vocals and large orchestral arrangements now pour out of the speakers in a very organic manner with great liquidity, yet, while still remaining admirably neutral.<\/p>\n

Above all, I would say that the sound with the two PowerSync PLUS cables has a majorly increased emotional charge, allowing one to be engulfed by sweet, lush, and liquid music, if perhaps not sitting on the edge of the seat. For me, the second PowerSync PLUS cable makes the sound just a bit too relaxed.<\/p>\n

This made me particularly curious about the PowerSync ULTRA!<\/p>\n

Next: PowerSync ULTRA, LC-2 EVO, and Conclusion<\/p>\n

<\/p>\n

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PowerSync ULTRA<\/h3>\n

Since the PowerSync PLUS worked so well with the L1 preamp I chose to leave it connected and only swap the PowerSync PLUS on the C1 DAC for the PowerSync ULTRA.<\/p>\n

Wow, here was a difference that I did not see coming! The PowerSync ULTRA may cost 3 times as much as the PLUS but if you ask me that is fully justified! This cable is not just incrementally better, it’s significantly<\/em> better!<\/p>\n

Outwardly, the cable has beautiful machined aluminum connectors and the cable has a slightly thicker outer diameter (17mm instead of 15mm). Otherwise, there’s nothing to distinguish it from the PowerSync PLUS. Of course, connectors are important to get right but this can’t be the whole story. On the other hand, it can’t just be the application of more copper for the conductors. So, clearly, the cable’s design ups the performance in a major way.<\/p>\n

The ULTRA retains all of the PLUS’s beautifully fluid and deeply saturated sound, all of the spaciousness, and every last percent of its organic presentation while significantly increasing the articulation, resolution, refinement, and transient attack, but without introducing even a hint of dryness. Perhaps most strikingly, the PowerSync ULTRA creates a fabulously continuously fluid sound, yet is more expressive, more lively, and more lyrical, than the PowerSync PLUS. All this translates to a sound that is super-seductive, yet also rather realistic, and more like the real thing.<\/p>\n

Oh<\/em> yes<\/em>, went my internal note-taker, this<\/em>, I like!<\/p>\n

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2x PowerSync ULTRA<\/h3>\n

As I was now fully expecting, swapping the PowerSync PLUS on the L1 preamp for a second PowerSync ULTRA was once again significantly<\/em> better. With two ULTRAS, the resolution and transparency further increase, and everything becomes more intricately pronounced but still with all the fluidity, deep tonal saturation, smoothness, and tonal richness fully intact. Despite the higher precision, the sound remains fluid and continuous, it just doesn’t come anywhere near being technical or dry.<\/p>\n

\"\"<\/p>\n

The lyrical quality of music is now off the scale and I’ve not heard large-scale classical music better.<\/p>\n

Still, a part of me craved a more direct and incisive sound. I’ll admit that I am more focused on rhythm and tightness than the average person, but somehow, my system is also more sensitive to this aspect than I would consider normal.<\/p>\n

And this is where the LC-2 EVO comes in!<\/p>\n

\"\"<\/p>\n

LC-2 EVO<\/h3>\n

Given that the C1 DAC is fuller-voiced than the L1 preamp, I opted to leave the PowerSync ULTRA on the preamp and swap the PowerSync ULTRA on the DAC for the LC-2 EVO. Oh yes, this was entirely<\/em> different! Not necessarily better on all accounts, I hasten to add but very differently balanced.<\/p>\n

The LC-2 EVO has finger-licking tight bass and very impressive articulation, along with immense precision and focus. It’s definitely not as fulsome in the bass, or as rich and deeply saturated in the midrange as with the two PowerSync ULTRAs, While comparatively leaner, it’s not devoid of color, and its timbre is very natural and convincing. Oh, and the LC-2 EVO’s high-frequency range is ever so open and airy! Like the entire sonic spectrum, the treble is articulate and precise, not whitish or swooshy, yet delicate and fluid.<\/p>\n

\"\"<\/p>\n

The combination of these rather different cables achieves a very fine balance between explicit purity and precision on the one hand and organic flow and emotional bonding on the other hand.<\/p>\n

However, it has to be said that the LC-2 EVO does not sound quite as spacious as the PowerSync ULTRA and it reduces the smoothness, continuity, and fluidity to the point where it could comparatively be considered very slightly dry. Some people might find this cable too matter-of-fact. But that’s wholly in line with what I expect from a solid-core cable and I do not mind at all. With this combination, I get sucked into performances on an emotional level while my brain remains fully satisfied with the level of tightness, neutrality, and precision. For me, and with these components, these two cables achieve an ideal balance.<\/p>\n

After having played many more recordings, I would say the balance with these two cables is actually not leaning to either side of neutrality. It’s neither dry nor sweet but actually very well-balanced, if quite revealing. The sound can<\/em> become dry but it can also be sweet and seductive, just as the recording requires.<\/p>\n

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Two Times LC-2 EVO<\/h3>\n

With two LC-2 EVO cables, one for the L1 preamp, and one for the C1 DAC, the sound further tightens up and becomes super-articulate as expected, and the transients are razor-sharp but, surprisingly, the sound remains quite fluid! Yes, the balance is certainly drier, more upfront, and definitely less liquid and organic, but the presentation is also beautifully agile, compelling, and still lyrical.<\/p>\n

Spaciousness and flow are two of the PowerSync ULTRA’s biggest assets, and indeed, removing both of these cables from the system results in a rather less engulfing spaciousness and a more matter-of-fact sound still with great focus but depth layering that appears less 3-dimensional.<\/p>\n

With the further increased articulation and transient snap, as well as a speedy old-school-Naim kind of sound with an utter lack of tardiness, the demanding technical purist part of me was deeply impressed.<\/p>\n

These cables simply excel in terms of articulation, control, transient precision, and midrange purity, and I thoroughly enjoyed a wide range of electronic and rhythm-driven music. But with such high precision, the sound also becomes less weighty and voluptuous, and the whole moves more toward the clear-cut technical rather than the juicy emotional side. These cables simply do not add anything in terms of body or weight and this means that you will hear whatever is in the recording, for better or for worse. When the recording is great, then so is the sound, but when the recording is only so-so, then these cables will not disguise that fact.<\/p>\n

My system had become akin to a studio environment and on the one hand, I was enjoying the heck out of this, but on the other, I also found that soul music became a little less soulful. In part, this was because the midrange was so direct and pure rather than smooth and rich, but it was also caused by the leaner bass. When realizing this, I noticed something interesting. With a classical piece, I felt that plucked bass and cello notes felt less convincing with the two LC-2 EVO cables than with the LC-2 EVO\/PowerSync ULTRA combination. Somehow, the single PowerSync ULTRA on the L1 preamp managed to elicit a sense of acoustic depth and substance, and a convincing portrayal of the recording venue that the LC-2 EVO did not quite catch. Of course, a power cable cannot truly create deeper notes, so, in trying to understand the effect, I performed the comparison multiple times. But sure enough, when playing classical or other purely acoustical recordings with a true recorded ambiance, the combination of the two different cables simply produced the most credible timbre, depth, and sense of the recorded space. Apparently, these extra ambient cues made large string instruments sound more impressive and realistic.<\/p>\n

While I remained fascinated with the precision of the two LC-2 EVO cables with three-quarters of my musical diet, I had to admit that a third was left sounding less grandiose than it could. Apparently, with the inherently clean-sounding CH Precision components, this extra focus on, well, focus and purity that was obtained by the two LC-2 EVO cables, became a little too much of a good thing.<\/p>\n

After this, I went back to using one PowerSync ULTRA and one LC-2 EVO, and sure enough, this did indeed achieve the ideal balance across my entire musical diet.<\/p>\n

Whilst two LC-2 EVO was an overdose in my system, I maintain that there’s a lot to say for the superb level of precision, purity, linearity, and transparency that these cables achieve. I truly have not heard higher precision from any power cable. If a system lacks some incisiveness or transient purity, one or two of these cables can do wonders and I expect that especially tube-based systems may benefit in particular from one or more LC-2 EVO.<\/p>\n

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Conclusion<\/h2>\n

In audio, one can compensate for certain system- or room peculiarities, further enhance existing great qualities, or elevate the performance across the board in an even-handed manner. But no matter which method you choose, GigaWatt has you covered. The PowerSync and PowerSync PLUS lean to the relaxed and smooth side and offer great value for money while the LC-2 EVO offers a great alternative with its incredibly concrete and precise, yet delicate sound. The PowerSync ULTRA, finally, offers superlative sound on so many levels, has the best-balanced mix of virtues, and is the prime choice in its price category.<\/p>\n

I am not letting go of the PowerSync ULTRA and LC-2 EVO. They are not only highly recommended, but effective immediately, also HFA Favorites!<\/p>\n

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\n(PowerSync ULTRA and LC-2 EVO)<\/p>\n

Associated Equipment<\/a><\/p>\n

External Links<\/h3>\n

Distributor for the Netherlands: Ohm Audio<\/a>
\nManufacturer: Gigawatt.eu<\/a><\/p>\n

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