M2Tech HiFace USB-SPDIF converter
A miniature converter that does one thing only, but does it very well
The M2Tech HiFace is a miniature USB to SPDIF converter. It is plug and play as soon as you’ve installed the drivers. There are drivers for Windows and Mac and for both DirectSound and Kernel Streaming. This makes the unit compatible with any player application but Kernel Streaming is the way to go if you want maximum sound quality. In that case the drivers aren’t available for any and all apps but at least for the most widely used ones such as iTunes and Winamp. The drivers make it possible to play and stream 192khz material (using kernel streaming) whereas usb is normally restricted to a maximum of 96khz. Inside is a high accuracy clock and circuitry that makes the HiFace the master in the asynchronous process, thereby controlling the accuracy of the timing, not the other way around.
Above: EMU1212M soundcard digital out, connected to a 10m long Belden RG59 coaxial digital cable
This is really easy. Just double click setup and away you go. Anyone who has installed anything on a computer before should be ablet to pull this off. The program installs everything by itself, at least on Windows, but I have a feeling that it’s the same for Mac. After install (on Win) you will find a direct output for the Hiface in the preferences of your player of choice. In my case this was Winamp. You can choose the output in DirectSound or in Kernelstreaming mode. They both work but there is a marked difference in sound. More about this lateron. After the drivers have installed, the device is truely plug and play. Just don’t – like I did – unplug it while there is music playing. It makes the application crash badly and I had to reset the computer to get past this. After that everything worked smoothly again.
I tested the HiFace in combination with a Macbook Pro as well, but didn’t witness the install procedure. But I did listen to it extensively. On my PC, I compared the HiFace directly to the spdif output from my semi-pro EMU1212M soundcard, using the same cable and dac. On the Mac, I had nothing to compare it with since the Macbook Pro has no other means of connecting to my dac except the built-in Toslink but that is no contest at all.
Above: HiFace in a USB port, connected to a 10m long Belden RG59 coaxial digital cable
On the Macbook, in a friend’s system, I could only compare it to the resident Logitech Squeezebox, consisting of a NAS and Sqeezebox, connected via digital coax cable to the Wadia 27ix GNSC DAC. The Sqeezebox has already disappointed me earlier, see this review, and listening to the HiFace output was another matter altogether. Where the Sqeezebox was friendly, rounded and undynamic and, ultimately, very uninvolving, the HiFace was fast, dynamic and punchy. Now the system was playing. And it was only wav files, played back on a Macbook Pro in iTunes! But via the HiFace. And that makes all the difference. There was no glare or shouty forwardness, just a very dynamic, exiting sound, full of energy.
On the PC in my reference setup the HiFace immedialtely made a good impression, sounding again lively, dynamic and speedy. It is not like the built-in coax digital out on the motherboard, which is dull, undynamic, wooly and frankly uninspiring. Instead, the HiFace is very involving and doesn’t show any signs of restraint dynamically or rhytmically. The better news is that it is also not glaring, glassy, gritty or otherwise offensive in the highs; they are wide open, airy and fresh. But without becoming aggressive. Bass is lightning fast and very articulate, even over the 10meter coax cable that I use. Still the output doesn’t sound analytical or dry. Very impressive indeed.
Comparing the HiFace to the EMU made me question my earlier findings though. Although the EMU sounded more rounded and mellow, it also had a more musical feel to it. I could hear how the bass was definitely less well articulated and overall, I’d say the the EMU was less explicit but it didn’t miss details either. But the thing that got me was that the EMU made me feel like I was listening to a really good CD player, well almost, and the HiFace made me feel like I was listening to high resolution computer audio. This is a difficult feeling to convey, and it shouldn’t be confused with the difference between, say, the Audiomeca and the Weiss dacs, where the Audiomeca was musical and the Weiss was clinical. But there was a resemblance. The HiFace is definitely high-definition but it is not sterile sounding. It may just not be my taste. What also attracted me to the EMU was its full bass. It is starting to really catch my attention that computer sound is almost without exception thinner in sound than a really good CD player. Computers may have all the detail, like the HiFace does, but rarely do they have the “balls” of a good CD player like a Wadia or Mark Levinson. The EMU soundcard, using the coaxial digital output, has a rich sound with a full bass that just makes me feel like the music is more real and less “computer”. Considering that all digital interface devices that I have tested thus far have sounded thinner than the EMU, it didn’t surprise me that the HiFace didn’t sound fuller. It did surprise me though in its ability to sound both bold and dynamic while still remaining musical. This is very important to note: it may be fast ‘n punchy but it is not sterile. It has better bass than the text above may lead to think and it’s not like it is threadbare, it actually has some meat on the bones-just not as much as the EMU does.
As I wrote above, I tried both the regular driver for DirectSound which makes the HiFace compatible with any software playback application as well as the kernel streaming driver, which is the one that the manufacturer recommends. I started with the kernel streaming mode. This is the mode I used to describe all you could read above. Switching to the DirectSound mode immediately made me realise that the kernel streaming is the mode to go for. Where the kernel streaming mode was fast, accurate, dynamic, the DirectSound mode was dynamically limp, soft and uninvolving. Sure it was a little smoother but now you had the worst of the EMU and the HiFace. Trust me: you don’t want to use DirectSound unless you’re listening uncritically to streaming internet radio or you have an extremely clinical setup. But I doubt that anyone would like it over the kernel streaming mode. I mean, if even I like the more dynamic representation better then there’s something seriously askew. DirectSound is better because inside the computer, all kinds of mixingstages are bypassed because the driver speaks directly to the hardware instead of letting Windows do the intermediate work. The EMU by the way, also uses kernel streaming.
Then I tried using the HiFace with a USB extension cable. This could be handy if your digital interlink is too short or if you, like I do, have worries about the HiFace accidentally breaking your USB input, or get broken itself, if you happen to nudge it by accident. It may be a miniature converter; it is still a very long plug sticking out the side of your computer. Sadly it was very obvious that the cable inpeded the signal to an extent that was even worse than swithcing to DirectSound mode. The sound became very fluid, I give it that, but all dynamic expression was gone, everything sounded rounded off, colours were faded and what’s worse: the music lost its pace. Olkay, so I used a very cheap cable. There are many highend USB cables out there and I’m sure that they would improve the sound. But then you’d have to pay more for the cable than you paid for the HiFace. I’d just try to avoid having to use an extension cable. Using a very long digital coax cable makes for much less loss to an extent that most listeners wouldn’t hear the difference between a 2m cable and a 10m cable.
As regular readers know, I’m a sucker for harmonic richness and fluidity in the sound. Even at the cost of some attack. As such, I liked the EMU better, but as with all things in audio, this is relaive and especially in this case it really comes down to taste. I honestly can’t say that the EMU is better and the HiFace is worse. It could well be the other way around as the HiFace really is very accurate and neutral. But I felt more connected to the music when listening through the EMU.
You could say that the HiFace sounds more “impressive” and the EMU sounds more “musical”. Whichever is best for you depends on your personal taste.